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<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Sarthak Raj Baral</title><link>https://sarthakrajbaral.journoportfolio.com</link><description>RSS Feed for Sarthak Raj Baral</description><atom:link rel="self" href="http://sarthakrajbaral.journoportfolio.com/rss.xml"></atom:link><language>en</language><lastBuildDate>Sun, 17 Jan 2021 00:00:00 +0000</lastBuildDate><item><title>Is Talent Overrated in Cricket?</title><link>https://qr.ae/Tcp7Jf</link><description>Talent is hard to define and even harder to measure; indeed, there is no objective way to do so.

Is Kane Williamson’s poetic artistry, his ability to make a dab down to third man seem like it’s the greatest shot in the sport, talent?

Are Steven Smith’s superhuman hand-eye coordination and his single-handed assault on Test Cricket’s batting records an outcome of his talent?

What of Cheteshwar Pujara’s herculean resolve? Is his ability to plant himself firmly at the crease and seemingly say to the bowler “No, you move,” talent?</description><pubDate>Sun, 17 Jan 2021 00:00:00 +0000</pubDate><guid>https://qr.ae/Tcp7Jf</guid></item><item><title>Hotel Shangri-La’s Lost Horizon Cafe : A Gourmet Shambhala</title><link>https://www.newbusinessage.com/MagazineArticles/view/2400</link><description>There is a synchronicity to the nomenclature at Hotel Shangri-La, Kathmandu. The mythical land of Shangri-La, as outlined by author James Hilton in his seminal novel ‘Lost Horizon,’ is a proverbial heaven on Earth, an untarnished utopia nestled in the cold embrace of the Himalayas. It is feasible that Hilton based his fictional Eden on Shambala, the legendary kingdom of Tibetan yore.

It is serendipitous then that in Hotel Shangri-La, Lazimpat, there is a garden called Shambala and on the fringe</description><pubDate>Sat, 02 Nov 2019 00:00:00 +0000</pubDate><guid>https://www.newbusinessage.com/MagazineArticles/view/2400</guid></item><item><title>Samsung Galaxy Note 10 Plus : The Phone For All Seasons</title><link>https://www.newbusinessage.com/MagazineArticles/view/2655</link><description>Samsung’s ‘Galaxy Note’ series has been synonymous with power and performance for over eight years. The series has traversed the rapidly oscillating phone landscape – when it made its bow in 2011, the Note’s 5.3-inch screen was considered gargantuan.</description><pubDate>Sat, 02 Nov 2019 00:00:00 +0000</pubDate><guid>https://www.newbusinessage.com/MagazineArticles/view/2655</guid></item><item><title>Benelli BN 251 : The Italian Stallion</title><link>https://www.newbusinessage.com/MagazineArticles/view/2516</link><description>There is an unmistakable aura surrounding the BN 251; perhaps it is due to the iconic emblem enshrined on its body, or possibly because of its emphatically arresting presence. It is likely an aggregate of the two, but the aura is undoubtedly present.</description><pubDate>Sat, 02 Nov 2019 00:00:00 +0000</pubDate><guid>https://www.newbusinessage.com/MagazineArticles/view/2516</guid></item><item><title>Shiv Khera, Author and Motivational Speaker</title><link>https://newbusinessage.com/MagazineArticles/view/2546</link><description></description><pubDate>Sat, 02 Nov 2019 00:00:00 +0000</pubDate><guid>https://newbusinessage.com/MagazineArticles/view/2546</guid></item><item><title>Disruptors : Changing the Status Quo</title><link>https://www.newbusinessage.com/MagazineArticles/view/2625</link><description>For companies, economies, and countries to survive and eventually thrive, change is not only desirable; it is rather indispensable. Change is the herald of prosperity; innovation is the bane of failure. However, every attempt at innovation is intertwined with the realistic prospect of catastrophic failure; the road to change is littered with the corpses of failures past.</description><pubDate>Sat, 02 Nov 2019 00:00:00 +0000</pubDate><guid>https://www.newbusinessage.com/MagazineArticles/view/2625</guid></item><item><title>Joker: There is No Punchline</title><link>https://medium.com/framerated/jokers-wild-c9f57da9ed0d</link><description>Ruminations on the crimson tinged emancipation of one Arthur Fleck.
In the world Arthur inhabits, gunshots are comparable to cannon blasts — their sound and fury envelop the surroundings with an untamed, ferocious reverberation. It’s startling. It’s frightening. It’s realistic.</description><pubDate>Wed, 09 Oct 2019 00:00:00 +0100</pubDate><guid>https://medium.com/framerated/jokers-wild-c9f57da9ed0d</guid></item><item><title>5 Essential Movies for Entrepreneurs</title><link>https://medium.com/framerated/five-essential-movies-for-entrepreneurs-8882734912f0</link><description>Great artists leave behind a work of art that transcends time and shapes their legacy. For Da Vinci, it’s the Mona Lisa. For Beethoven, it’s his Fifth Symphony. For Aaron Sorkin, The Social Network (2010) remains the pièce de résistance in his delectable oeuvre.</description><pubDate>Tue, 10 Sep 2019 00:00:00 +0100</pubDate><guid>https://medium.com/framerated/five-essential-movies-for-entrepreneurs-8882734912f0</guid></item><item><title>Why Kohli is my Tendulkar</title><link>https://www.sportskeeda.com/cricket/why-kohli-is-my-tendulkar</link><description>Why do we watch sport? Is it to gratify our primal flight or fight urges? Is it to live vicariously through the players we revere? Alternatively, perhaps with any work of entertainment, the ultimate objective is to seize that most elusive feeling; the swift and euphoric eruption of enthralling emotion.</description><pubDate>Tue, 06 Nov 2018 00:00:00 +0000</pubDate><guid>https://www.sportskeeda.com/cricket/why-kohli-is-my-tendulkar</guid></item></channel></rss>